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In the distance a woman is bending over a keeler making up a huge mass of butter into rolls, nicely squared and smoothed, to make them look their best and handsomest to-morrow. "Yes, it was I," she says. "And why shouldn't I? Is it to see you drown I would? I—I didn't want you to find out; but"—quickly—"I would do the same for any one at any time. You know that." "Perhaps that is what makes me so nice," retorts Miss Mona, saucily, the sense of fun still full upon her, making him a small grimace, and bestowing upon him a bewitching glance from under her long dark lashes, that lie like shadows on her cheeks..

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It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— "My dearest child, do not take things so dreadfully to heart," he says, entreatingly and soothingly: "it is all a mistake; and my mother will, I know, be the first to acknowledge herself in error." At this moment Geoffrey comes into the room and up to Mona. He takes no notice whatever of her companion, "Mona, will you come and sing us something?" he says, as naturally as though the room is empty. "Nolly has been telling the duchess about your voice, and she wants to hear you. Anything simple, darling,"—seeing she looks a little distressed at the idea: "you sing that sort of thing best." "Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection..